1951 Epiphone FT-79 Texan Jumbo Guitar



Update 2021: I've updated the photos, added a video, and updated some of the description...

I've played a lot of nice flattops, but this guitar is exceptional. It's owned by a local state senator (so I call it the "Singing Senator's" guitar) and came in for some light/"get 'er ready" work first in 2015 and now in 2021 for some more serious repairs. It's pretty beat-up but my eyes lit up on seeing it because actual Epiphone (New York) x-braced flattop guitars are quite rare. There are scores of the Gibson-made 60s models but these ones that share the Epiphone curvaceous archtop-body outline (this is a 16" mini-jumbo shape) are very hard to find.

In fact, the build is like a strange mix of Gibson-sounding x-bracing and top design, Guild-style (arched, ply) back, and Epiphone curves and neck profile/scale length. The result is a very powerful, focused, and rich sound with plenty of tight bass and oodles of volume. The owner's played it in enough that it's got a good, velvety lower-mids/bass sound, too.

On the features-list are the slick/fast 1 5/8" Epiphone nut width coupled to a medium-C neck shape and tight (~7 1/4") board radius. It has a long-as-heck 25 1/2" scale and despite the owner's taste for medium strings, I only suggest 54w-12 lights on this at max because, like a lot of Epiphones from this era, the truss rod is maxed-out because the design of the rod is not that great. The neck only deflects a hair under tension, though, after recent work.

The body is solid spruce on the top and ply maple for the back and sides. The neck is 3-piece maple/mahogany and the board and bridge are Brazilian rosewood.

Old repairs included a new pickguard, one replacement (period) tuner, and some fussing with the original frets and saddle to get it to play decently. Fresh repairs (2021) include a neck reset, board plane and refret, replacement (Gotoh, aged, Kluson-style) tuners, filling-in of some bridge gouging/mods, and a new saddle slot and new bone saddle. It's now playing beautifully and sounds tremendous.

Non-original parts are the tuners, saddle, pickguard, bridge pins, and endpin.














Comments

Art Drecko said…
The old Masterbilt Epiphone flat tops could hold their own with the Gibsons of that or any era. I have an old Epi Spartan flat top that's a canon.

The reason that the build reminds you of some Guilds is that Guild was founded in 1952 by former Epiphone managers, who brought Epi factory workers with them.
Unknown said…
VERY NICE GUITAR...BUT..I CAN TOP THAT.
I'VE GOT A 1949 EPIPHONE FT-79 (New York) TEXAN.
ALSO 'X-BRACED'....AND WITH MAHOGANY BACK & SIDES.
ADIRONDAC TOP, HIDE GLUE, BRAZILIAN FINGERBOARD & BRIDGE.
CHERRY WOOD NECK (WITH CENTER MAHOGANY STRIP).
NECK IS DEAD STRAIGHT--WITH PERFECT NECK ANGLE.
AND...ORIGINAL FINISH.
95% ORIGINAL (TUNERS ARE AN EARLY SET OF GROVERS).
I HAD IT RESTORED IN THE MID-'90'S BY SCOTTY JACKSON IN NASHVILLE.
GEORGE GRUHN'S HEAD REPAIRMAN BACK IN THE '80'S & '90'S.
THERE ARE ONLY MAYBE 5-6 OF THESE EARLY FT-79'S IN EXISTENCE TODAY.
AND...ONLY A FEW ARE PLAYABLE, IN DECENT PLAYING CONDITION.
THE MAJORITY HAVE MAPLE BACK & SIDES--NOT THE MOST DESIREABLE.
IN FACT, SOMEWHERE AROUND 2012, GEORGE GRUHN HAD AN FT-79 FOR SALE.
LOOKED ALMOST BRAND NEW (NEAR MINT) WITH MAPLE BACK & SIDES.
PROBABLY A 1951.
I THINK IT WAS PRICED AT $3000... OR MAYBE $3500.
I DIDN'T BUY IT, BECAUSE IT LOOKED LIKE A BRAND NEW GUITAR.
(SOMETHING FISHY ABOUT THAT--FOR SURE)

BEST WISHES,
IPMALA
ipmala888@netzero.com