c.1910 Unmarked Butterfly Bowlback Mandolin
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A nice old taterbug! This one's unmarked, but probably around c.1900-1910 or so. That's what the tuners and tailpiece look like -- and who knows? This looks either Chicago-made or possibly Oscar Schmidt-made in NJ.
My work included regluing some ribs on the back, regluing a top brace (below the fretboard), giving it a fret dress, the usual cleaning, de-griming, de-scuffing, etc. -- and a good setup. Also a new bone nut and bone bridge.
The results are a nice-playing, precise-sounding, sustained, and rich (especially for lead work) instrument. It'd be great for classical, folky, old-timey, or Celtic music. Has a good balanced tone.
The results are a nice-playing, precise-sounding, sustained, and rich (especially for lead work) instrument. It'd be great for classical, folky, old-timey, or Celtic music. Has a good balanced tone.
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It's also incredibly sturdy -- the braced supporting the top are quite hefty and a regular light set (34w to 10) sounds great on it -- I usually try to go a hair lighter for bowlbacks at 32 to 09.
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Did I mention it looks awesome?
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Love the rope binding.
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Ebony fretboard with -- bone? celluloid? -- inlaid dots.
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I added an old strap button to the lowest tailpiece screw hole to make it easily giggable.
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Oh right -- there is that small fact that it's got a nice 19-rib Brazilian rosewood bowl! How about that?
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...and original bakelite-buttoned tuners.
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Gotta love it!
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