c.1935 Supertone Archtop Mandolin


This is a downright sweet little (well, bigger than average, actually) mandolin -- nicely suited to bluegrass, old-time, or any genre that requires some cut. 14" scale, super easy action (since my setup), and a great punchy sound. Despite the aesthetics, it actually reminds me of the nicer maple-bodied Gibson-built Kalamazoo A-style mandos. It feels and sounds very much like them and has the same sort of response and clarity.

This one's missing its pickguard but is otherwise entirely original. The finish is good, it's crack-free, and has obviously been well-cared for. The neck joint's in perfect shape and the frets just needed a light dressing.


The folks I bought this mandolin from also included a photo of its previous owner ("Ms. Smith from Manahawkin" who lived there for 88 years, the mando originally being her father's) from the 1940s -- this very mando is sitting atop the piano towards the right of her head.


Good spruce top, solid maple sides, and somewhat birdseyed maple back with sunburst on the top and back and celluloid cream binding top and back. Nice trim.



Tuners are quality-feeling originals with bakelite buttons. Original bone nut.


Rosewood? Possibly? But perhaps a dark-stained fruitwood... fretboard with MOP dots.


Original ebony bridge with bone saddle. I cut the saddle and saddle-slot down slightly but kept the same look.


Tailpiece with slightly-obvious foam string dampener underneath.



Here you can see the nice maple a little bit...








And here's the only sad part -- a little botched old "repair" -- someone reglued the binding but no so nicely in this one section on the back. The "fuzz" below it is actually just some pollen from setting it down on a table. Not in the finish.

Comments

Anonymous said…
I think I can see this very same model in a 1937 Sears & Roebuck catalog. Listed as "large professional model", sold for $11.65, number 385, as a companion to archtop guitar 230. I believe both were made by the Harmony co.
François
Nick R said…
Nice to see a comment from François Demont- his extensive database will be up and running some time in the future- he worked so hard on it and was always happy to share his enthusiasm for all things Harmony and he is sorely missed. This mandolin is one of the Vogue instruments made by Harmony- three guitars and two mandolins- you have the round hole example featured-but this one is not in your index, it seems. As far as I can tell, the only difference between this Supertone model retailed by Sears and its Vogue version, apart from the brand name, is the Vogue has a tortoiseshell pickguard while the Supertone has plain black and a slightly different shape to it- less curvy. An even more Ritzy version was sold as the Cremona but I have only ever seen one- branded as an S S Stewart- more dot markers and definitely a rosewood board and possibly different wood for the back and sides.