c.1930 Regal Stenciled Hawaiian Parlor Guitar
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Fun!
How could it not be?
This is a Regal-made (and branded) "0" size guitar built around 1930 or so and intended right from the start for Hawaiian play (with raised strings using a steel -- ie, slide) in the lap. Of note are the obvious tropical-themed stencils and the absence of a strap end pin, both pretty good clues that this was sold for Hawaiian playing out of the shipping box.
However... I've given it a neck reset, glued up some upper bout cracks, and installed a new bridge, plus setup, thus making it a good Spanish-style (ie, normal) steel strung guitar. I used one of my parts-bin NOS German-made rosewood bridges (I think these are old 60s Framus bridges) with fairly wide wings to both reinforce the lightly ladder-braced top and also cover up a bad old bridge "repair" job which left some ugliness around the old bridge footprint.
However... I've given it a neck reset, glued up some upper bout cracks, and installed a new bridge, plus setup, thus making it a good Spanish-style (ie, normal) steel strung guitar. I used one of my parts-bin NOS German-made rosewood bridges (I think these are old 60s Framus bridges) with fairly wide wings to both reinforce the lightly ladder-braced top and also cover up a bad old bridge "repair" job which left some ugliness around the old bridge footprint.
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In addition, I dressed the frets, recut the fretboard extension for proper angle with the neck (as a Hawaiian-setup guitar from the factory, Regal didn't pay much attention to that), and made a new bone nut and saddle, too (both tone enhancers).
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The original tuners were still in good shape. Because of the typical thicker Regal v-neck build, this guitar takes 50w-11 light strings just fine.
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Multicolored inlaid rosette looks real cool, as do those fun stencils.
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Standard plastic pins... note the long string ramps for good back-angle over the saddle. Part of the reason I chose this bridge design also is that the pins are farther back from the saddle which lets the new pin holes avoid the damaged/worn old ones.
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Oh, woods! Back, sides, and neck are all solid birch with a "red mahogany" stain while the top is natural-toned solid spruce. The fretboard looks like dyed pearwood to me.
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Remind me to let Tom Waits in off the porch before the snow starts falling...
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This had previously been setup with a tailpiece at some point in its life. I removed that as it wasn't really necessary (the top is good and flat).
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