c.1925 Oscar Schmidt "La Scala" Tenor Guitar




Originally this was more or less identical to this (click here) tenor I recently finished up, but a badly-warped (not neck, but just the board) fretboard and cruddy neck pocket meant it turned out looking a bit different, since after the neck reset the original rosewood bridge was too low so it necessitated a new one and I had to swap out the fretboard anyway.

The end result, new rosewood board, bridge, and all, is an upscale-looking variant with a more modern feel. The bridge and saddle are taller for a more modern break angle over the top and the fretboard sports a zero-fret for ideal intonation and even tone across the board.


The body is all-solid birch while the neck is poplar. The bridge and board are new rosewood ones. Check out that sweet pearloid pickguard! I had to move it slightly "north" to account for the new bridge shape, though.


I used mini gold pearl dots in the face.


These pins with their pearl dots came with the guitar, but are recent. Note that the bridge is a cut-down 6-strin bridge, so I filled the 1st and 6th holes with bigger gold pearl dots. The saddle is a good, tall, bone one. Action is a hair over 1/16" on the bass side at the 12th fret for super-slick playability. Strings are currently setup for DGBE or "Chicago" tuning, which is a bonus for the blues or old-timey player that will likely pick this up.


Top edge and soundhole are bound in white celluloid and the "rosette" is a fun multicolored decal.


This sure has the looks! Scale is 21" long.


"La Scala" headstock badge with fun shield-shaped headstock. I managed to re-use the original celluloid nut, too. Tuners are original Grover Champion friction pegs.




Heel cap is also that same "mother of toilet seat" celluloid material. Note the bolt-through-neck attachment. I may end up countersinking this and putting a gold pearl dot over it, or installing a strap button, but it's not very obvious when you first pick it up. The dovetail joint on this was pretty wonky, so with shims and this bolt-through and reglue job it's perfectly stable and good to go, but this is my insurance on such an (originally) ill-fit joint. 





Original end-pin. The finish is all original, as well, and in good shape.


Good chipboard case, too!

Comments

Linda said…
Lord! This is one fine looking tenor.
Anonymous said…
Hello Ive got one of these guitars and Im looking to find out where can I get a pickguard or material so I could make one?I have the original but its all buckled .Is there anything I could do with the old one to straighten it out?
Im an amateur when it comes to things like this.

Best wishes/ Brian
brianfrielmusic@gmail.com

www.brianfrielmusic.com