c.1920 Leonardo Nunes Koa Soprano Ukulele


This late-teens, early-20s soprano is the 2nd of 8 koa ukes I'm working on for a customer. This guy is a Nunes (Leonardo Nunes) uke made in Hawaii and, yessir, it sounds and plays great and looks it, too! Check out that beautiful flamed koa!

Work included a brige reglue, fret level/dress, seam repairs, replacement tuner pegs (vintage 20s uke pegs from my bin), cleaning and setup.


This is an interesting uke in the way it's so lavishly figured but extremely plain. I love that about older Hawaiian ukes: they're simple and folksy but very pretty.


The exaggerated "shield" headstock shape looks nice.


I had to cut down the original bridge a heck of a lot to get anywhere near correct action due to the neck angle. After cutting it down I reglued it to the top and then drilled tiny holes in the string-loading slots. Like some modern ukes, the way to string this up is now to pass the string through the hole, pull it out the soundhole, knot it, and then pull the string up to the tuner.



This has that lovely golden-orange color that the best koa seems to glow with.


Note how the back of the headstock actually has a rounded, radiused shape to it. This looks pretty fun in person.



Beautiful, domed-back construction and even more flame!



...and it wouldn't be complete without a nice endstrip...


...and soundhole label!

Comments

Jim Tranquada said…
Although his instruments were labelled "Ukulele O Hawaii," Leonardo Nunes (son of the pioneer ukulele maker Manuel Nunes) built his ukes in Los Angeles, beginning in 1914. He was one of many manufacturers of the period who pushed the envelope of ambiguity to take advantage of the perception that Hawaiian-made instruments were superior to mainland versions. He also was happy to take advantage of consumer confusion between the two Nunes firms, as for three or four years he was competing directly with his father's product.
Good point, but also compared to other mainland brands these were made just like Hawaiian ukes.
Rick Turner said…
Just got in an exact duplicate, but with the "made for Geo Birkel" label in it. Jim is spot on re. the LA build thing, and it looks like a Hawaiian-made uke because it was made like this: http://www.ukulele.org/?Videos by a real Hawaiian.
The one I have just has one very small crack and a slightly lifting section of one side at the end block. It was purchased new by the owner's grandfather. It's missing three tuners, so I'll save the one original and put four violin tuners on it without doing much reaming. I'll glue the crack and the lift, and it'll be a player again at about 98 years old.
Mango Mike said…
I've got this exact model. Got it about a year ago through an estate sale. Still in the original felt case with the original cat gut strings (snapped) along with an instruction pamphlet and the original Lion & Healy catalog from which it was purchased. It is in new condition.
Pamela said…
I have one of these by Leonardo Nunes, I am attempting to find the value for a friend who is a collector, and is not healthy at this time. For the age, it is in very nice condition-no cracks!
Unknown said…
I have a Leonardo Nunes hawaiian ukulele that has been in the family for about 100 yrs. It does not have a label within the open soundbell cavity. The label, although somewhat deteriorated, says: Ukulele O Hawaii / Leonardo Nunes. Above this is a Hawiian Seal of some sort and has Hawaiian words printed below it. The seal is between the tuners at the top .
I am curious as to the value. It appears to be KOA wood. If anyone can help...would appreciate a reply. My e-mail is: ronordi70@g-mail.com. Thanx
Jim said…
What Rick Turner said: Leonardo moved to L.A. in 1914 and made ukes using koa shipped from his father's shop in Honolulu. Initially all were made in the Portuguese "machete" style/size - which later was termed "soprano" by C.F. Martin Co.

Martin coined the terms "soprano" & "concert" (and later "tenor") when a larger (than traditional) sized body 8-string model - the "taropatch" - was a sales dud (hard to tune and strings soon started popping out of the slots in relatively soft saddles - and they had bodies already made.). Before 1919 larger sizes in Hawaii were randomly made and just "bigger" (or "bigga" in Pidgin; nui aku or nuinui in Hawaiian), and made mostly by Sam Kamaka. This last part is according to my mom. who grew up in Hawaii and lived around the corner from the Kamakas. I have a collection teens and twenties Kamaka and Martin ukes, plus a +/- 1914 Style I L. Nunes with the George Bickel & Co distributor label, abalone dots & ivoroid friction pegs. It was a trainwreck when I got it - I was a le to restore it to good playing condition.