1969 Silvertone 1220 (Harmony H1260 Sovereign) Jumbo Flattop Guitar




Update December 2020: after almost four years of play, the owner is letting this cool old "Silvertone Sovereign" go due to a desire to migrate to skinny-necked boxes. I've updated the blog post with a new video clip, updated description, and new photos...

The date stamp on this guitar is smudged but it appears to be F-69 -- meaning 1969 manufacture. The model number stamped inside is, however, entirely bogus as it states H1265 when this is clearly a differently-appointed H1260 variant as opposed to an H1265 with its "Western bling" styling.

Of all the various Harmony Sovereign rebrands (the Silvertone at the headstock means this one was sold by Sears) I've had in the shop (courtesy of a Sovereign collector), I like this one the best so far. It's crack-free, has a great-looking tobacco/iced-tea sunburst finish, and a medium-big, C-shaped neck that gives it a trusty, reliable feel. The tone is straight-up "Sovereign jumbo" and has that long sustain, fat but airy bottom, and punchy-mids sound that I come to expect from them. These guitars were made late in the game for ladder-braced instruments and Harmony pretty-much nailed it, tone-wise, on these models.

This one was here for customer repair and received a neck reset, fret level/dress, recut of the saddle slot, and a new (drop-in) bone saddle.

Repairs included: a previous neck reset, fret level/dress, recut of the saddle slot and new bone saddle, setup, etc -- all I did this time around was put a new set of strings on and adjust the rod slightly.


Made by: Harmony

Model: Silvertone 1220 (same as Sovereign H1260)

Made in: Chicago, IL, USA


Top wood: solid spruce

Back & sides wood: solid mahogany

Bracing type: ladder

Bridge: rosewood

Fretboard: rosewood

Neck wood: mahogany


Tone: warm, airy, woody, clean

Suitable for: blues, country-blues, folk, country, rock


Action height at 12th fret: 3/32” bass 1/16” treble (fast, spot-on)
String gauges: 54w-12 lights

Neck shape: medium round-shoulders C

Board radius: ~10"

Truss rod: adjustable (works_

Neck relief: straight

Fret style: medium


Scale length: 25 1/8"

Nut width: 1 3/4"

String spacing at nut: 1 1/2"

String spacing at bridge: 2 3/16"

Body length: 19 5/8"

Body width: 16"

Body depth: 4 1/4"

Weight: 4 lb


Condition notes: it's in really good shape except for minor use-wear and light scratches throughout and a little handling-wear and pickwear below the pickguard. It has no cracks. Everything is original on it save the new saddle. The fretboard extension drops slightly down and away from the rest of the fretboard post-neck-reset but it's not really an issue playability-wise. I will also note that the current bridge setup means that the high E is riding a little closer to the edge of the fretboard than the low E. I would be very tempted to modify the bridge into a pin-style setup if this were my own instrument to both resolve this and even-out the string spacing compared to the normal Harmony setup. I could do that free of charge.


It comes with: a nice newer hard case (not pictured).














Comments

Carl Rudd said…
Nice work...nice guitar. But how hard would it have been to just install a plain white heel-cap. That's what I did...and it was not difficult. Btw...those Harmony truss-rod cover are super easy to clone...better than leaving a broken one on the guitar.
Jake Wildwood said…
Carl: It's about what people want to pay for, how much time they have to wait, and whether I have the materials on hand. On that particular day I didn't have any plastic of the right type or color to pop on it.
Nick R said…
Harmony guitars with the wrong model stamp inside are fairly common. Presumably, for whatever reason, an H1265 earmarked body was grabbed to complete a Silvertone order. Of course decades on, this has folk scratching their heads but Harmony was making guitars in vast numbers and nobody was thinking about posterity- it was just a case of getting the job done. I have a Kay 6175 guitar which has a fingerboard with two more block markers than normal. This number of block markers is seen on the 8127 "Solo Special" super jumbo and apart from the number of block markers, is the same as on the small jumbo. Somebody grabbed just that neck! I'm glad they did!
Nicolas Dunbar said…
Hey Jake, thanks so much for this post… I have inherited a “Silverton” jumbo dread not guitar. It looks a ton like this one that you have… It is a mahogany with what I think is a spruce top… But the model number on mine is listed as, 319.1221… It is a ladder brace guitar and sounds pretty good for its age and condition. I have been contemplating for the last four years as to whether or not I’m going to get it “restomodded” to make it a new vintage. Any thoughts or feedback on this endeavor would be super helpful.