1950s Leedy & Ludwig 14x11 Field Snare Drum



I generally don't buy drums anymore, but this one walked into the store with its original case, marching strap, and mix of sticks. I couldn't resist.

It's a Leedy & Luwdig field snare from the early to mid '50s and has a maple rim and tension hoops with mahogany veneer on the shell itself. It appears to be all-original and is in excellent shape (with average pitting on the hooks) save a torn snare-side head that's been clumsily-patched with tape. It has a 14" diameter and the height of the shell itself is roughly ~11" or just a hair under that.

Its sound is -- as you'd expect -- woody, fuller, and on the darker/boomier side. The old wire-wrapped snares definitely give that vintage, rumbly marching sound.


How about the grained print on the backside of that beater?



This is a single-tension drum and cranking on the key adjusts both heads.


The snare tension is adjusted via a thumbscrew.





Here's the damaged area on the snare side. While the drum works as-is, it'd be better to have a new head on there.


Here's a shot through the hazy snare-side head of the print on the interior of the rim.


The original chip case comes with it. The "dots" on it are paint droplets. It's in good shape but the leather latches that would've snapped on to hold the lid securely are broken.


Three Pro-Mark 7A hickory sticks come with it as well as the original marching strap (in good shape but definitely aged). The two remaining sticks are hollow and were perhaps used to hold wire brushes at some point. They give a neat sound on their own, though, and maybe were used that way for a while judging by the wear at their edges.

Comments

Ambrose said…
The 'grained print' is actually strips of fibreglass embedded in the mylar drumhead. It's a marching head meant to be used on a modern marching snare where it's cranked up well past the tension that a regular drum could hold. This drum would be meant for calfskin or early mylar heads and not tuned particularly high. The shell is probably a 3 ply, maple/poplar/mahogany. O most drums the mahogany outer ply was chosen for it's ability to take glue for a plastic wrap. But most marching drums would have a lacquered mahogany outer ply. These days people use these drums as toms, and match them with vintage marching bass drums, also usually mahogany finished. Levon Helm style.
Jake Wildwood said…
Thank you, Ambrose! All of this info is great.

Interestingly, I didn't crank it much, because I expect drums like this I've had before to sound good low-tuned and kind-of brum-bum-boomy in tone.
Ambrose said…
Yes I agree, they sound good low to medium. If you can get your hands on a calfskin head, try it. Plastic cannot compete for sound or especially the feel. If it's kept in medium/low tuning, then the humidity issues that calfskin has are not a big deal. It probably has fairly rounded bearing edges as well, designed for calfskin, and helps to get plastic heads nice and warm sounding.
Brad Smith said…
Branching out into membranophones....this could be dangerous, Jake!
Unknown said…
By chance, is this drum for sale? I'm looking for something similar to donate to a historical band in Memphis. I have a lead on another one and I need two. Thanks!