1940 Harmony Biltmore Ritz Archtop Cretan Laouto Conversion
The same guy who owns this Cretan laouto that we converted into "something else," also owns this Biltmore Ritz (which I worked on back in 2015) that we've now convert into... a Cretan laouto! How about that? His inclination was right, though... this thing is so much more fun in this capacity.
A quick rundown of what a laouto is... it's essentially like a mandocello and tuned CGDA low to high. However, the first three courses are in octaves and the C-course is an octave higher in pitch than "normal" mandocello tuning. In "guitar course" terms the closest relative strings would be the DADB strings. It's re-entrant like a ukulele.
At first this seems like madness but then when you play the thing it quickly becomes obvious that this handles a lot like a rearranged Irish bouzouki. Without having a super-low C course, the whole instrument "meshes together" better for chord-playing or crosspicking. It reminds me of the same charm one finds in tiples. It's a big, lush sound that's not muddy or murky -- like a 12-string guitar without the over-bearingness that they can have. The fifths tuning also just gives it a quirky, "open" sound to its voice, too.
It's good.
At any rate, work entailed a fresh fret level/dress (to effectively remove a hair of warp that the neck gained in its time away), mod of the headstock to 8-strings (I cobbled some '20s Waverly mandolin tuners for this job), mod of the bridge and nut, restring, and setup.
The 25 1/8" scale length is typical Harmony and it's a light instrument at only 3 lbs 10 oz. The top, back, and sides are all solid mahogany.
To keep the unreinforced neck from protesting, string gauges are very light -- 12/24w, 17/36w, 10/20w, 13/13 low to high.
Comments