1940s Kalamazoo KMN-12 (Gibson-made) Archtop Mandolin
Well this is a pretty mandolin, no? While a lot of these were designated KMN-12, they're really more like a maple-bodied alteration of the KM-21 model that had been produced for years before these. A lot of these KMNs also feature an "Oriole" decal at the headstock, too. This particular one has gloriously-flamed solid maple on the back and sides, tortoise binding that looks slick as heck, and all of its original bits save tuners and bridge.
Post-repairs, it plays the biz (real fast) and sounds excellent -- punchy, woody, and loud. It's got really light strings on it at the moment (I'd run out of sets so was into my "bowlback" gauges) but would handle 10s with no issue, at which point it would only get warmer and fatter-sounding.
Just like the vast majority of the Kalamazoo archtop guitars, this series of archtop Kalamazoo mandolins have press-arched tops and backs rather than carved ones. The only thing you're missing compared to a good carved-top Gibson is a little more snap in the treble. Otherwise this thing sounds pretty-much the same as a good A-50 from the time and I've heard plenty of so-so A-50s as well, where this thing would blow them out of the water. It's a good old thing, yessir.
Repairs included: neck reset, fret level/dress, fitting of a new ebony adjustable bridge, replacement tuners install (not original but period), cleaning, and setup.
Top wood: solid spruce
Back & sides wood: solid flamed maple
Bracing type: tonebar
Bridge: ebony, adjustable
Fretboard: rosewood
Neck wood: mahogany
Action height at 12th fret: hair-under 1/16" overall (fast)
String gauges: 32w-9 (though 10s would be great, too)
Neck shape: medium V
Board radius: flat
Neck relief: straight
Fret style: smaller/lower
Scale length: 13 7/8"
Nut width: 1 3/16"
Body width: 10 1/8"
Body depth: 2" + arching
Weight: 1 lb 14 oz
Condition notes: the bridge is new and the tuners are older replacements. They're slightly fussy but work alright. There's a little blem around the fretboard extension's bottom foot post-reset but it's not obvious at all. The frets are low/small per original stock but have life left in them, no worries. The original pickguard is in great shape. There's minor scratching, small nicks and dings, etc. throughout the finish but overall it looks excellent for its age. I can't date the instrument exactly as I can't find a legible factory order number inside (it's there but unreadable), though it's almost certainly a 1939 or 1940 model. There's some pockmarking finish blem to the headstock's face, too, and a non-original (but old) strap hanger at the tailpiece.
It comes with: a decent case too (not pictured).
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