1960s Chicago (Harmony Resotone) 5-String Resonator Banjo

So, this guy has "Chicago" at the headstock but it's actually a Harmony Resotone in different branding. The rims on these are a molded material of some sort but they're very stable and sound nice despite their humble build. I'm a fan of these banjos -- the necks are almost always dead straight or close to it (good job on the non-adjustable rod, guys), they're fast players when setup right, and they're durable and functional. They've got a very "old school" sound that's easy on the ears but not as poppy or bright and cutting as a fancy banjo, though they have plenty of volume to jam with.

All of these play like garbage until they've been gone-over. In the case of my work on these, that means I remove the silly neck brace these come with and simply double-bolt the neck to the rim. That keeps the neck from loosening and rotating-around randomly which is a perennial problem with these "from the factory." Once that's done, setup and adjustments are easy-peasy and they tend to stay true for many years after.

This one is mostly original except all of the hook/nuts are replacements (better quality than the originals) and the tailpiece is, too. Yes, your eyes are not deceiving you -- Harmony molded half-holes for double the amount of hooks on the rims of these but only drilled them out for the amount of hooks you see in the photos. The other holes are blocked from the factory.

The early versions of them were drilled out for all the hooks but they must have realized that once they were using the Remo synthetic heads (yes, this one looks original to me), they didn't need to use so many hooks to keep the head stable and so they cut costs and halved the amount used. It's a win for us, too! Who likes adjusting that many?

Anyhow, it's ready to go, plays great, and sounds great. What more?

Repairs included: a fret level/dress, side dots install, smiley-face paint for the 12th fret (marker had rubbed-off), new compensated bridge (I notch the slots), replacement hooks+nuts+tailpiece, setup, cleaning, etc...


Rim wood: molded

Tonering: none

Bridge: 3-foot maple/ebony

Fretboard: ebonized maple or similar

Neck wood: poplar


Action height at 12th fret: 1/16" overall (fast, spot-on)
String gauges: 9s

Neck shape: medium soft V

Board radius: flat

Truss rod: non-djustable

Neck relief: straight

Fret style: medium-lower


Scale length: 26 3/4"

Nut width: 1 1/8"

Head diameter: 11”

Resonator diameter: 13"

Depth overall at rim: 3"

Weight: 5 lbs 7 oz


Condition notes: aside from the replacement parts that are fit and pitting to the original hardware, it's overall in good shape for a student-level instrument from the '60s. It shows plenty of finish-wear on the neck and fretboard and some scratching on the resonator but it doesn't look bad. It looks friendly.


It comes with: no case, sorry.














Comments

Jeff Todd Titon said…
Gotta love that smiley face at the 12th fret. Your followers of a certain age will recall that youngsters who started playing banjo in the Fifties, Sixties, and even the Seventies started out with these banjos. They were the volkswagen banjos of that era. The Harmonies from the Fifties and early Sixties more frequently have the Reso-Tone marking, and (if memory serves) they were a little more sturdily built. I don't think that the Chicagos were around till the Sixties. Even in the Seventies, in the used market (no one ever called them vintage) they could be bought for less than $100 in good playing condition.
Ron said…
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Ron said…
I have a Chicago banjo that I bought at Peachtree Salvage in Atlanta in the late 1970's. I'm not much of a banjo player myself but my Granddad and some other banjo players tried it out some and it sounded very good. It's still in pretty good shape, since banjo is not my main instrument so it has seen very little use.

This article is the first in-depth one I've seen that gives a serious look at this make.